8. The Fiery Furnaces - I'm Going Away
When I referred to Neko Case as the highest ranking female artist this year, I should have been more specific. That statement wasn't intended to downplay the role of Eleanor Friedberger in The Fiery Furnaces, a band she co-fronts with her older brother Matthew. While Matthew is the primary creative force, handling most of the songwriting and studio instrumentation, Eleanor is the lead vocalist. As I wrote in Frequent Spins, this album was a bit of a comeback for the band, as far as I'm concerned, as they once again showed up on my radar following a few unremarkable albums since 2004's Blueberry Boat. When I wrote that, though, I didn't realize that this was going to be one of those records that I liked even more upon returning to it late in the year.
9. Antony and The Johnsons - The Crying Light
I didn't really expect this one to land in my top ten either. As one of the first albums I listened to in January, it was hard to overlook the fact that it was no I Am a Bird Now. But, that record was an absolute masterpiece, so that's a tough standard to live up to. I rated it highly, but for some reason, I expected it to eventually come down a rung. Instead, it proved to be a second consecutive top ten worthy album for Boy George disciple Antony Hegarty.
10. Passion Pit - Manners
A rare top ten finisher for a Boston-based band, Manners also took an indirect route to this lofty perch. Briefly, it flirted with mid-year contention for the top spot, until it proved to be one of those albums that I tired of a little easily. But, after being shelved for months, I was once again reminded of how much I loved this one in the first place. While not album of the year worthy, I'm happy that this is the record that rounds out my top ten. If I have one piece of advice for you, though, it's to enjoy this one in small doses, being very careful not to let it overstay its welcome.
Turkey Bowl XXX in Princeton
3 weeks ago
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